Fan Club Kristen Stewart

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Kristen Stewart's 'Welcome To The Rileys' Cheat Sheet
We tell you everything you need to know about the 'Twilight' star's gritty turn as a 16-year-old stripper in this indie flick.

You can go with the conventional wisdom that Kristen Stewart truly arrived as a Hollywood player when "Twilight" whipped up a $70 million opening in the fall of 2008. She's gone on to star in subsequent Twi-flicks as well as mature roles in films like "The Runaways" and the upcoming "On the Road."

Or you could take something of a contrarian stance and argue Stewart began her ascent as an A-list star before "Twilight" hit theaters, when the then-18-year-old threw herself into the role of an emotionally scarred stripper in "Welcome to the Rileys," proving, to herself and others, that she had the chops, maturity and creativity to accomplish anything she wanted onscreen.
Fans and critics, however, didn't get to check out her "Rileys" work until the Sundance Film Festival this past January. Now audiences in select cities will get to take in her work, in which she plays a 16-year-old (real name Allison, working-girl name Mallory) who flees to a New Orleans strip club and meets a man (James Gandolfini) who becomes her father figure and attempts to help her pick up the pieces of her broken life.

Whether you're lucky enough to have a theater near you showing the movie or simply want to know everything there is to know about it, MTV News has got you covered with our "Welcome to the Rileys" cheat sheet.

Wait, Bella's Playing a Stripper?
The fact that Stewart was playing a stripper/prostitute flew mostly under the radar — aside from a few quotes she dropped here and there — until the first photos popped up online in late 2009. One photo showed Stewart in a string bikini top, another the actress as she cowered next to a bed

Sundance arrived the next month, and Stewart made clear audiences shouldn't characterize the film as simply one about a stripper. "[The shocking thing is] maybe that it's not, like, shocking," Stewart told us. "It's really not a stripper movie at all."

Instead, she explained, "Rileys" is best understood as a story of a girl trying to make it on her own — and lacking the skills to pull it off. KStew called it the most personal role of her career.

"It's about understanding who you're playing and you have a responsibility because you feel like you can't let them down," she told us. "[My character] really became a part of me. I haven't felt so personally involved in something."

Stewart Grows Up
Months passed without much "Rileys" news. Then in July the trailer hit the Web, showing the world a very un-Bella-like character. We then brought you a slew of new photos. As Stewart explained to us, she dove into research for the role — and almost ended up with a new job.

"One shocking thing was to find how easy it is [to flaunt your sexuality]," she explained. "Like, I went to a strip club with the director and the costume designer and it being an odd grouping of people going into a strip club in the middle of the afternoon, I was, like, straight-up offered a job."

We're glad she didn't take them up on the offer. Stewart was coming into her own, and she looked and sounded as confident as we've ever seen her when she hit the "Rileys" red carpet earlier this month.

"She's grown up. She's a woman now," "Welcome to the Rileys" director Jake Scott told us, adding that she possessed the seeds of that maturity in October '08 when production on the movie kicked off. "It was an act of courage on her part, especially when you consider she was just 18."

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Kristen Stewart On Teen Vogue's Best Dressed List

#3

Who: Kristen Stewart
Wore: GUiSHEM dress and Brian Atwood heels

Where: The Cinema Society & Everlon Diamond Knot Collection's screening of Welcome to the Rileys in NYC

When: October 18, 2010

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Welcome to the Rileys Movie Clip "Mallory and Doug at the Restaurant" Official

http://www.youtube.com/watch?v=w62yEcbhgsc&feature=player_embedded[/b]

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Czy tylko mi się wydaję, ze Kristen i Anna mają takie same sukienki?

5 Clips from WELCOME TO THE RILEYS

Kristen Stewart in Welcome to the Rileys: Mallory Meets Doug
http://www.youtube.com/watch?v=r_-QA10GP8U&feature=player_embedded

Kristen Stewart in Welcome to the Rileys: Lunch with Doug
http://www.youtube.com/watch?v=CylRl3g21Hs&feature=player_embedded

Kristen Stewart in Welcome to the Rileys: Doug and Mallory Fight
http://www.youtube.com/watch?v=DiVTI6R79Zk&feature=player_embedded

Kristen Stewart in Welcome to the Rileys: At the Laudromat
http://www.youtube.com/watch?v=cYPTxSBmi4I&feature=player_embedded

Kristen Stewart in Welcome to the Rileys: Mallory Meets Lois
http://www.youtube.com/watch?v=D4IBGfG1rss&feature=player_embedded

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New/Old

NEW INTERVIEW: Joan Jett talks Kristen Stewart
ROCK'N'ROLL femme pioneer Joan Jett will be heading to Sydney for a show after seeing in the new year at the annual Falls Festival in Victoria.
Jett, who will hold court at local rock institution the Annandale Hotel on January 7, says she's keen to kick off a new chapter with her Australian visit after spending the past 18 months tied up with a biopic on her seminal all-girl teen rock band The Runaways.
"It has been a long, tough year with the film and I lost my mother," she says.
"She was a big reason The Runaways were able to happen.
"She let me do it, and she talked to the other mothers so the other girls could do it.
"It's been a weird time having to look back on all of that, so now I'm looking forward to a new chapter."
Jett, who was played by Twilight star Kristen Stewart, says she's impressed that the film has inspired another generation of young women to pick up guitars.

Kristen Stewart and James Gandolfini behind the scenes in Welcome to the Rileys

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HQ 'Welcome to the Rileys' Press Screening in NYC (180)
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łunf :O

edit.
Pics of Kristen At NOLA Airport Yesterday

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Kristen Stewart’s Time Out New York Interview!

You seem very attracted to roles in which you play someone who is defiant, constantly fighting for something—emotionally, physically. What is Mallory fighting for the hardest?
I think she’s just trying to survive. She’s had a rough upbringing, which has taken something from her on a really basic level. It’s hard for a young girl in the normal world, but put her on the streets…she doesn’t realize that she does actually need people, that she needs to have a capacity to trust, accept and love other people. She sees and tastes that with Doug, realizes she can have it, and she’s not dead yet.
You shot this film between Twilight and New Moon, before Twilight had even been released, and you were still very young. Did you feel ready to play a runaway stripper at that point in your life?
I think I was 16 or maybe freshly 17 when I first read [the script for Welcome to the Rileys]. I was really intimidated, and I’m really glad that the film took the time that it did to find its legs, because I wasn’t in the position to play the part [then]. I wouldn’t have jumped into it as much. I would have been afraid of it.

nowe zdjęcia OTR

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John Allen Cassady Talks About Kristen

John Allen Cassady was in England visiting his mother, Carolyn Cassady, when he got the call from Walter Salles, Director of "On The Road". Walter wanted to know if John would be willing to interrupt his visit with Carolyn so he could meet and give a talk to the cast and crew of the movie while they were filming in Montreal. Walter promised a round trip flight from London to Montreal and that John would be back at his mum's place in a few days. John only wanted to know one thing: "Will I get to meet Kristen Stewart?" He was assured he'd meet everyone so John boarded that silver bird.

They picked John up in a limo and delivered him to a five star hotel in Montreal. To his chagrin, Kristen wasn't waiting there for him. They brought him to a party where he met everyone. He spoke to people he recognized and people he didn't. John took photos with disposable cameras because he'd left his digital back in London. He took pictures of everyone and everything. The next day he's having lunch with the producers and asks, "So when do I get to meet Kristen Stewart?" "John," they said, "You met her last night. You flirted shamelessly for hours. You got photos of the two of you together." John didn't know what she looked like! "And I wasn't even drinking," he said.

Back in London John got all his pictures developed. One of them was lost by the photo company. It was the one with all the photos of John and Kristen Stewart. "Story of my life," John said.

scully napisał:

Ja jestem pod wrażeniem gry aktorskiej Stew...tym filmem pokazała kto jest najlepszym aktorem Sagi Wink

Ps. moje kolezanki zza oceanu mówią, że ta scena jest słaba w porównaniu z innymi :)

Faktycznie, genialna jest, kocham takie jej zbuntowane oblicze. Ostatnio bierze tylko takie filmy: najpierw Runaways, teraz WTTR a no i jeszcze OTR (i hm jakieś grupies czy coś, pamiętacie?^^)
No i jeśli ta scena gdzie rzuca fuckami jest słaba, to jestem ciekawa innych!

Alice _Cullen napisał:

[Faktycznie, genialna jest, kocham takie jej zbuntowane oblicze. Ostatnio bierze tylko takie filmy: najpierw Runaways, teraz WTTR a no i jeszcze OTR (i hm jakieś grupies czy coś, pamiętacie?^^)
No i jeśli ta scena gdzie rzuca fuckami jest słaba, to jestem ciekawa innych!

WTTR było nakręcone zaraz po Twilight, zanim jeszcze film do kin wszedł. o jakich grupies mówisz? O_O

O, to dlatego ma tam takie włosy, btw długa post produkcja, nie ma co Wink

Pamiętasz, montreal, oczywiście? I pytałam się tam czemu Kris ma takie loki w stylu lat 60tych i ciuszki. I ktoś wspomniał, że akcja się dzieje w przeszłości. I jakoś zaczęłyśmy gadac o treści filmu i ktos powiedział, że ma byc jakaś 'sytuacja' z inna kobietą i coś, że z jej mężem czy tam byłym mężem. A przy tworzeniu teorii co do robciowego paska było, że chyba wiczyła z nim sceny, czy coś. Mam nadzieję, że coś z tego skapowałaś. Poszukam może później w temacie strony, to zweryfikuje moje wypociny Wink

Alice _Cullen napisał:

O, to dlatego ma tam takie włosy, btw długa post produkcja, nie ma co Wink

Pamiętasz, montreal, oczywiście? I pytałam się tam czemu Kris ma takie loki w stylu lat 60tych i ciuszki. I ktoś wspomniał, że akcja się dzieje w przeszłości. I jakoś zaczęłyśmy gadac o treści filmu i ktos powiedział, że ma byc jakaś 'sytuacja' z inna kobietą i coś, że z jej mężem czy tam byłym mężem. A przy tworzeniu teorii co do robciowego paska było, że chyba wiczyła z nim sceny, czy coś. Mam nadzieję, że coś z tego skapowałaś. Poszukam może później w temacie strony, to zweryfikuje moje wypociny Wink

Kristen, a raczej jej postać Marylou nie uprawia miłosnego trójkąta. To były tylko plotki (nawet nie wiem skąd wzięte - bo w książce nie ma o tym ani słowa) i nie raz o tym pisałam.

Tu chodzi o OTR tam grala w trojkacie a Marylou to pstac z WTTR.

karolinam17 napisał:

Tu chodzi o OTR tam grala w trojkacie a Marylou to pstac z WTTR.

słucham? hahahahhaha
MaryLou to postać z OTR
Mallory to postać z WTTR

scully napisał:

karolinam17 napisał:

Tu chodzi o OTR tam grala w trojkacie a Marylou to pstac z WTTR.

słucham? hahahahhaha
MaryLou to postać z OTR
Mallory to postać z WTTR

no tak cos pokrecilam Rolling Eyes

scully napisał:

Alice _Cullen napisał:

O, to dlatego ma tam takie włosy, btw długa post produkcja, nie ma co Wink

Pamiętasz, montreal, oczywiście? I pytałam się tam czemu Kris ma takie loki w stylu lat 60tych i ciuszki. I ktoś wspomniał, że akcja się dzieje w przeszłości. I jakoś zaczęłyśmy gadac o treści filmu i ktos powiedział, że ma byc jakaś 'sytuacja' z inna kobietą i coś, że z jej mężem czy tam byłym mężem. A przy tworzeniu teorii co do robciowego paska było, że chyba wiczyła z nim sceny, czy coś. Mam nadzieję, że coś z tego skapowałaś. Poszukam może później w temacie strony, to zweryfikuje moje wypociny Wink

Kristen, a raczej jej postać Marylou nie uprawia miłosnego trójkąta. To były tylko plotki (nawet nie wiem skąd wzięte - bo w książce nie ma o tym ani słowa) i nie raz o tym pisałam.

No nie siedzę w fanclubie Kris za często, a to kojarzę z robstenu, także nie słyszałam o dementacji tych rewelacji^^ Cos pomieszałam;
Ale w każdym razie cieszę się, że nie bierze ról słodkich dziewczynek!

OST Z WTTR

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To some, Kristen Stewart is simply “the ‘Twilight’ girl.” Her arresting turn as love-struck teen Bella Swan in the swoony series of vampire romance blockbusters put her on the map and earned her the mantle of “movie star.”

And for many young actors, this would have represented the chance to cash in, to do a whole bunch of well-paying wannabe hits with various supernatural love interests. Stewart, on the other hand, prefers the more challenging route: offbeat indies, parts that speak to her in a genuine way, and the occasional portrayal of an icon (like, say, Joan Jett). She only hopes that those who want to see her as nothing more than Bella will give her a chance.

“There’s a road I’m going down now, and I’m aware that there’s not as much of an audience for strange movies—for different, eclectic movies—and I totally accept that,” she says. “But at the same time, if I do films like that, I want people to take it for what it is instead of going, ‘Oh, let’s see the ‘Twilight’ girl try to do this.’?”

Stewart says she is deeply grateful for all the opportunities the runaway vampire franchise has sent her way, but she has made sure the personas she has taken on since have not been terribly Bella-like. Take her nuanced performance in the recent indie sensation “Welcome to the Rileys.” As foul-mouthed teen runaway/stripper Mallory, Stewart is raw and real, a believably bruised troublemaker, and she more than holds her own opposite co-stars James Gandolfini and Melissa Leo. “I’m really glad that it took the time that it did to get made, because I think by the time I was 18, I was ready and more confident and mature enough to play the part,” says the actor, now 20. “I had read the script when I was 16, and I was just too young. I would’ve shied away from stuff, I think.”

“Rileys” director Jake Scott first took note of Stewart in Sean Penn’s “Into the Wild.” Her screen time is limited, but she made it her own. “I went for a drink with Sean Penn, and he said, ‘Check this kid out,’?” recalls Scott. “She didn’t do very much in that film, but she just had this quality that I’d always imagined Mallory would have—I always say ‘vulpine.’ Kind of feral, a bit of an alley cat. That really is strong in her, even though she’s come from a very happy, loving background. It’s interesting; maybe that’s why she can play such damaged characters, such complex characters.”

“Welcome to the Rileys” was in the works pre-”Twilight,” and Scott recalls having to fight a bit to cast Stewart. “I was lucky he thought I deserved it,” she says with a laugh. Stewart did everything possible to live up to the faith Scott had in her, throwing herself into research and character work. “I’m from the Valley, and I’ve had the most normal and privileged upbringing, so the fear in that is sort of ‘Who are you and what do you know?’?” she says.

Stewart read books on homeless teens, talked to real-life strip club workers, and even learned to pole dance. “You really don’t see it in the movie,” she says of the pole dancing, “which sucks—I mean, it doesn’t suck. Jake didn’t want to exploit Mallory any more than she already is, but I did find that they beat the hell out of themselves. I had bruises all over my legs, all up the sides of my body. I think we did everything we could to do it right. For the girls who can relate to a movie like this, it’s so necessary. We would be such frauds if we didn’t do the proper work.”

For Stewart, “the proper work,” the things you have to do to make a performance as authentic as humanly possible, is an integral part of the way she approaches a role. Those who do want to see her as awkward Bella Swan—a sometimes morose, sometimes wishy-washy teen—have likely never heard her talk about acting. There’s a striking passion that takes over whenever she discusses truly connecting to a character, and even though she hasn’t had to audition in a while, she doesn’t make her choices lightly. When she wants a role, she really wants it.

“If you have to sit there and ask yourself if you want to do something, then you don’t want to do it,” she says firmly. “If you sit around going, ‘Well, it’s a good story, there are a few things that confuse me, but I can work it out’? No, no, no. I couldn’t do that. I think I’d be so bad in whatever project that was. I can’t make something work that doesn’t completely speak to me. You just go, ‘I want to live that. I’d really like to learn from that.’ And you see it all so clearly.”

In the ‘Room’

When it comes to performing, Stewart saw things pretty clearly from an early age. Her mother was a script supervisor, so Stewart grew up hanging out on movie sets. “I would go to work with her, and I saw kids on set and I would be like, ‘Gosh, I want a job,’?” she says, chuckling. An opportunity opened up when someone spotted her “singing some ridiculous song in a holiday performance thing” at school, she recalls. “There was somebody in the audience that helps you find an agent as a kid. It really, really would probably only ever happen in Los Angeles.” At 9, she started auditioning for and landing movies. One of her early high-profile roles, as a diabetic youngster in the thriller “Panic Room,” put her opposite Jodie Foster and under the direction of David Fincher.

“I think I went in six times over the course of several months, because they’d started production and then shut down and then recast people,” Stewart says. “I really fought for that part. They made every kid that came up really work their asses off for it; it wasn’t a quick thing. I had to read for David Fincher numerous times, and every time there would be notes. It was really intense.” She understands the lengthy process better now, but at the time, she was just itching for the chance to prove herself. “I was like, ‘God, dude, fuckin’ relax, I can do it!’?” she says, laughing. “I was totally thinking that he should just trust me.”

“Panic Room” got Stewart’s career off to a nice start, but it wasn’t until she starred in the dark indie “Speak” at age 13 that things clicked, that she recognized that acting could be fulfilling to her as a career. “I realized that you could get more from the job than just entertainment and not having to go to school,” she says. “You could tell stories that people can take a lot from.”

She went on to mix big, kid-friendly flicks with thoughtful independent projects, including actor Mary Stuart Masterson’s feature directorial debut, “The Cake Eaters.” Masterson remembers being impressed with Stewart’s “Panic Room” performance, but she was even more blown away once they started working together. Stewart’s character in “The Cake Eaters” suffers from Friedreich’s ataxia, a disease that affects speech and movement. If the symptoms were depicted inaccurately, says Masterson, the result could have been offensive. But once again, Stewart was determined to do the work.

“She was totally committed to getting it right,” Masterson recalls. “I gave her some interviews I had taped and introduced her to some people living with the disease, and she immersed herself in the process. She was very private about it, and I knew that was a good sign, because I had been through similar work on real-life characters before and I knew that what she was experiencing was a kind of protectiveness for the integrity of those souls suffering with what she would only have to play at.”

When Masterson started doing festival Q&As for the film, “Twilight” hadn’t come out yet and Stewart was far from a household name. “After every screening,” the director says, “someone would always ask how I found an actress that good who had the disease.”
‘Road’ Map

Stewart was in Pittsburgh working on the indie film “Adventureland” when she first got wind of “Twilight.” At the time, she says, she didn’t really have “enough room in my head” to even consider a project of that magnitude. Still, she was up for the audition and recalls being thrilled when director Catherine Hardwicke and actor Jackson Rathbone flew to Pittsburgh to meet with her. “We worked together for four hours,” Stewart says. “And by the end of it, we didn’t want to stop talking about it, and Catherine was like, ‘Okay, well, I think you should do this. I’m gonna get on a plane now, but hopefully we can continue this discussion later.’ I was like, ‘Uh, does that mean…?’ I couldn’t believe it.”

Like Scott, Hardwicke was charmed by Stewart’s brief “Into the Wild” performance. “I felt her vulnerability and yearning leap off the screen when she sat on that bed in the trailer, trying to seduce Emile [Hirsch],” Hardwicke recalls. “Kristen has to feel everything—to connect, to make it her own. She is intense and powerful and athletically gifted. Bella Swan is clumsy. Kristen had to be the most awkward volleyball player in ‘Twilight,’ but in reality she’s a superstar.”

Stewart wasn’t necessarily prepared for the “superstar” status “Twilight” would afford her, but she has tried to remain grounded and keep her decision-making process basically the same. “A lot changed, but at the same time the process of choosing stuff doesn’t change,” she says. “I guess I wouldn’t know the difference if I didn’t have ‘Twilight,’ because the things that have rolled in probably wouldn’t have rolled in. I’m aware and thankful for that. And when something like ‘Welcome to the Rileys’ speaks to you, you have to jump on it.”

That said, she’s still genuinely surprised when filmmakers want to cast her in certain things—like Walter Salles’ upcoming take on Jack Kerouac’s novel “On the Road.” “When it was sort of coming to be and I was the right age to play the part of Marylou, I didn’t even want to think about it a whole lot, because I was like, ‘They’re gonna hire Scarlett Johansson,’?” Stewart says with a laugh. “Which would’ve been fantastic, but I just couldn’t imagine inserting myself into that equation.”

Now that she is part of the equation, she’s bringing her usual commitment to the role—and, refreshingly, with a sense of wonder not typically found in young stars who have been working as long as she has. “I worked with my friend Tom Sturridge, and he plays Carlo Marx, who’s Allen Ginsberg,” Stewart says, excitement creeping into her voice. “And I would look over at him, and he’s doing this fucking full-on Allen Ginsberg crazy monologue in the corner of some thumping, raving party, and I’m dancing to bebop jazz, and I’d be like, ‘Tom, we’re doing “On the Road.” Just so you know? “On the Road.”?’?”

Strategy Game

Though she has a distinctive way of evaluating potential roles, Stewart confesses that she avoids heavy strategizing when it comes to her career, “because to have a strategy, I couldn’t have that thing where I didn’t know what I wanted to do until it really screamed at me. But eventually—who knows how close or how far away this is—especially now that I’ve been given this enormous gift of ‘yes,’ I would love to develop projects and do them with people that are already close to me.”

The “gift of yes” that the success of “Twilight” has given her is something Stewart still marvels at. But she understands the gift’s limitations—and she doesn’t want to use it to rehash Bella Swan. “I haven’t tried it yet, but apparently it would be easy for me to greenlight a movie where I play the main part if I play a fairly normal-looking, pretty girl,” she says. “There are a lot of those movies. But if I wanted to play, say, a transgendered prisoner [in in-the-works indie 'K-11'], which I really want to do, that doesn’t hold the same weight.”

Stewart knows that a lot of eyes are on her at this point. And she knows there are some people who will always see her as “the ‘Twilight’ girl.” But she’s determined to keep pursuing edgy parts, to build her career by always demonstrating her full commitment to whatever projects she takes on and by working hard for the writers and directors who entrust her with their visions. “Really,” she says earnestly, [b]“I just want to keep doing what I’m doing.”[b]

He, znowu zdjęła szpilki tak szybko jak to możliwe^^ Jakaś tradycja się robi:)
Kocham ją za to, jest taka...normalna(??) :D